David Fincher faced a dilemma, after he finished the English-language version of The Girl with the Dragon Tattoo: should be press ahead with the followup, The Girl Who Played with Fire - possibly shooting it back-to-back with the adaptation of Stieg Larsson’s third Millennium novel, The Girl Who Kicked the Hornet’s Nest - or, should he instead pursue another project, like his gestating 20,000 Leagues Under the Sea adaptation over at Disney?
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